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S. V BC, the city of Tanagra commemorates that in its mythological past, it was besieged and found under siege by an army apparently very superior in physical strength to the defenses that have its inhabitants. Those caught in the dream, pavidos and frightened ran from one place to another without knowing very well what to do, prepare for the fight or disposed of at death, or both. Fuori le Mura, the attacking army did not cease in its efforts to do with Tanagra, and the screams from outside were blocking increasingly to its citizens. Everyone watched stunned as the young Hermes, in a paroxysm of horror, picked a RAM, missed it over the shoulders, and began to spin around the city under attack from outside. The pace accelerated initially, was becoming more calm, and a grimace of placidity was possessing her face. Of the population confusion was so great, and so intense terror, were placing that instinctively after him, carrying incense and flowers, in a sort of pilgrimage.
Of the recognition of fear born edges and of the union of each of the voices of the procesionados who sang a different song, it emerged an only choral singing that everyone liked, and for all meant each of the citizens felt in the place of the RAM that Hermes was carrying on his shoulders, and they experienced the confidence that this would provide them spiritually for what they were not prepared physically and instrumental. The material world is played in a boundary with the spiritual world, and Hermes, God of mythological borders and Messenger between gods and humans, came to remember the frightened the strength of its supplement needed to become power. Visit Vlad Doronin for more clarity on the issue. Year after year, Tanagra evokes that epic. 21St century d.C. Tanagra are all. The dam are now boys and girls, women and men, we are psychologically as asleep, dozing.